![]() With that track record, we were excited to see Sonic Charge announce a new multi-effect plugin called Permut8. They've even dabbled in hardware, developing an alternative OS for the Yamaha TX16W sampler called Typhoon. In addition to their recent plugins, they are also responsible for the technology behind Propellerhead Recycle, the REX audio format, and the Maelstrom synthesizer within Reason. Although the Sonic Charge brand is somewhat new, the body of work of the folks behind it goes back a surprisingly long way. From Synplant's randomly generated organic sonic palette to Bitspeek's real-time vocal re-synthesis, the stuff they make is infused with a sense of personality. The plugins created by the Stockholm-based developers have a level of uniquity that's downright refreshing in today's crowded market. Sonic Charge has to be one of the most interesting audio software companies in the game today.The Operators will potentially confuse some users, but flicking random switches creates good results and is great fun. MTM MTM VerdictĪ truly original plug-in that excels at glitch edits and dirty, la-fl sounds. Just don't expect it to make sense immediately, and be prepared to spend some time finding your way around. However, what sets this plug-iri apart are the sounds that it can generate - it's quite unlike anything else we've heard, and if you like circuit-bent glitch sounds it's an absolute no-brainer. Another superb feature is the ability to control the switches, frequency or program changes via a MIDI keyboard. This is a unique approach that may be baffling to some, but flicking random switches can lead to happy accidents. Things get more confusing when you come to the two Operators, which have 16 switches each for changing and modulating the read position. A Clock Frequency knob controls both the speed of the playback and the audio quality, making it possible to do some brain-melting pitch-dives or build-ups by sweeping with the sync switched off. The main part of the plug-in, however, is the 12-bit memory, displayed as an LED array at the bottom, with red dots showing incoming audio written to memory and green dots representing the playback position. These controls alone are enough to give any sound that you pass through the plug-in a gritty, distorted vibe. On the left you have the Analog section, which has controls for input level, a soft clipper and brickwall limiter, a high-/low-pass filter that can be placed at several points in the chain, a feedback control with Flip L/R and Invert switches, an output control with another soft clipper and, finally, a dry/wet control. The first thing you notice about Permut8 is the striking GUI, which has been designed to give the plug-in the feel of a piece of hardware. The latest is Sonic Charge's Permut8 - a digital delay plug-in that can be programmed to produce a wide range of effects, from standard delay lines and flangers to beat-repeats and bit-crushers. Each has a different sounds, layout and techniques for creating controlled chaos. ![]() We've seen a number of fun glitch-based effects plug-ins released over the last couple of years, from BT and iZotope's Stutter Edit to Sugar Bytes' Turnado.
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